The project was born from its relationship with the territory, its topographic trace and the ability to establish itself as a mediator with the Sanctuary. The exterior pathway spaces nest in their need to frame the prehistoric temples. The building itself adapts to its surroundings directing their views reinforcing the relationship with sacred buildings. Its volumes are folded in an earthquake gesture, (Pachacamac was known as the Earthquakes God) and stressed between their external pathway ramp gaps, associated with the pre hispanic streets where the pilgrims approached their temples in linear spaces within its large scale walls. Its mass, expressed in their rough concrete walls are associated with the pre hispanic earth wall structures, the limb in an attempt to build a kind of shadow typology, the project avoids composition perforations. The project defines its form on the wall. The building places itself in a “weak” attitude towards its environment; the scale is handled in complicity with the topography and the unevenness of the ground to avoid breaking abruptly into the place. It is only when you descend to the meeting Plaza, where the building is revealed in its full scale. The building expresses its deep respect for the sacred territory and manifests as another laminating layer in the long process of transformation of the Sanctuary