The functioning of the house - daily chores, environmental performance and social expressions - is based on the dialogue with the landscape, arranged in a vertical succession of spaces: a public ground floor, bedrooms in a body of two levels and a viewpoint at the top.
At the base, the garden unfolds contained by the perimeter that seeks to dispel the species that appropriate the walls and climb the entire height of the tower. The opening of a sliding gate transcends the courtyard to the interior and allows public life to unfold in this common space surrounded by nuanced shadows and humidity in the intense local climate.
In the central volume there are two rooms, conceived to accommodate various situations of family coexistence: flexibility to enable two bedrooms in one room, a workspace plus bedroom, or their use as bedrooms for rent.
At the top, the environment is finally fully observed, it is the final metaphor of the filter of relationships that makes up the journey from the base, it is the point from which the house best expresses its spatial reflection and the relationship with its inhabitants, it is the moment in addition to exchanging with the city and its reality, like many other balconies already built at other points in time.
At sunset the tower house and the city are rebuilt in each visit. The perceptual question allows there that game of sublime reflection, as necessary as the house itself for the family that inhabits it.